In mid-September of last year, as the light was streaking gold and the prairie air smelled of yellow, I had the pleasure of visiting Badlands ...

Last November I spotted an unusually mundane poster at Printed Matter, the nonprofit bookseller that once served as the ...

Our Residencies, Fellowships, Talks and events provide opportunities for critical inquiry, peer networking, and professional development. Momus Programs extend the publication’s commitment to ...

This episode features M. Neelika Jayawardane, a writer and scholar whose work is informed by Southern Africa’s history, and ...

Clockwise from top left: Dr. Kemi Adeyemi, Sky Goodden, Tiana Reid, Molly Kleiman. Independent arts publishing is under pressure—financially, politically, and structurally. What does it take not just ...

Momus Talks is an ongoing series, often hosted in collaboration with our colleagues and collaborators internationally. Talks range in format from artist interviews and critics in conversation, to book ...

To Build and Sustain is a convening for independent art publishing organized by Momus, inviting publishers and editors from across Canada and the US to share resources, strengthen peer networks, and ...

Between 1973 and 1978, Lynn Hershman Leeson hired photographers to document the life of her alter ego, Roberta Breitmore. Dressed in a glossy blond wig, white blouse, and polka-dot skirt, Hershman ...

1. Writing is a way of loving. To love is to give life, continuity. This is a story about lives that were not meant to go on. But they did go on. Soon after artist Gabrielle Goliath was informed that ...

Ursula Biemann has been challenging, and excavating, how knowledge is produced for thirty years now, but in the past decade she has turned her attention to the environment. Her fieldwork has ...

A soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of faint footsteps as she moves around her flat, shifting objects in the kitchen, the ...

“I don’t ever want to live in one place again,” Paul Thek declares in a letter to Peter Hujar in 1968, “too many pretty places in the world.” Both Paul and Peter are deeply New York artists; that’s ...