The New Yorker

It Takes Only Five Paintings to See Helen Frankenthaler’s Genius

In a small show at MOMA, Frankenthaler seems to make paint its own living force, untouched by the hand of an artist.
Washington City Paper

There’s a Crack on the Side of Signature’s In Clay

Despite a first-rate jazz score, the musical’s strict reliance on the biography of French ceramicist Marie-Berthe Cazin ...