GREAT BARRINGTON — Would you sell your soul to the devil? It’s been offered up before, we're told in a canon of music and literature, for life, or love, or to play a really mean guitar. In one telling ...
It’s not difficult to reimagine the classic “Faust,” the quintessential story of man making a bargain with the devil, in contemporary times. Director Lileana Blain-Cruz had only to look at modern ...
ANNANDALE-ON-HUDSON, N.Y. — Joshua Blue is made for French Romantic opera. The tenor’s ringing bell of a voice softened the consonants and enveloped the vowels in ways no other language would allow, ...
It seems appropriate that the Royal Opera should start its French-themed season with Gounod’s Faust, perhaps the grandest of all grand operas. Over the coming months we’re being treated to a mixture ...
Jennifer Davis's Marguerite and Duke Kim's Faust pull out all the vocal stops in the final scene of Gounod's opera If Nicholas Brownlee is more bass-baritone than cavernous bass as the very devil, he ...
It turns out the music and lyrics of Depeche Mode make an apt companion to French composer Charles Gounod’s opera, “Faust.” Mixed Precipitation blends the moody lyrics of the British synth-rock band ...
Berks Opera Company is intent on making a difference in the community by being a bridge between the arts and social commentary to relevant issues. Taking a major step toward achieving that goal is its ...
Celebrating its sixth revival, David McVicar’s critically acclaimed production of Faust is a spectacular success with stunning sets and costumes, a magnificent cast, and some of Gounod’s greatest ...
Few operas have enjoyed such an enviable fate as Gounod's Faust. Well received at its premiere, followed by international success, which still makes it the most performed French opera in the world ...
Friday night's season-ending staging of Charles Gounod’s “Faust” by the New Orleans Opera Association was a triumph. The singing, acting, conducting, orchestral playing and nearly all of the staging ...
When David McVicar’s production of Gounod’s Faust was new in June of this year, the experience was hell in all but the literal sense. McVicar simply didn’t take the work seriously enough, and clearly ...
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