The film's tagline "Love Visa" hints at more mischief from the beloved trio. With Milap Milan Zaveri's signature humour and ...
Arshad Warsi shares that Munna Bhai 3 is finally in motion, praising Sanjay Dutt and director Rajkumar Hirani’s renewed ...
Akshay Kumar, Arshad Warsi and Saurabh Shukla's Jolly LLB 3 is heading for its one last target at the Indian box office. Read day 42 updates!
EXCLUSIVE: Arshad Warsi and Jitendra Kumar open up about their most challenging scenes in Bhagwat: “In action, one small mistake can spoil the take or hurt someone” Bollywood News: Latest Bollywood ...
Mastiii 4 reunites Riteish Deshmukh, Vivek Oberoi, and Aftab Shivdasani under Milap Zaveri’s direction for a high-energy ...
The much-anticipated trailer of 'Mastiii 4', featuring Riteish Deshmukh, Vivek Oberoi, and Aftab Shivdasani, promises a high-energy comedy riot under Milap Zaveri's direction.
Also read: Kantara Chapter 1 (Kantara 2) Hindi OTT release date, platform and other details ...
Bollywood Life on MSN
Akshay Kumar and Arshad Warsi bring back the courtroom chaos in Jolly LLB 3: When and where to watch it online?
Jolly LLB 3, starring Akshay Kumar and Arshad Warsi, has finally hit theatres, marking the return of the beloved legal comedy ...
Khaleej Times on MSN
Arshad Warsi on his new crime thriller 'Bhagwat', life in Dubai, and why he chooses real stories
When Arshad Warsi logs on to Zoom from his home in Dubai, he looks relaxed, amused even. The city suits him, and the sharp humour remains intact — the same one that made Circuit from Munna Bhai ...
Akshay Kumar is set to collaborate once again with filmmaker Anees Bazmee for a new family comedy-drama, with filming ...
Arshad Warsi and Jitendra Kumar in Bhagwat Chapter 1 Rakshas impress with their acting skills but the film surrenders to the intensity - full review.
India Today on MSN
Exclusive: Arshad Warsi says Bollywood stopped taking risks, Saiyaara took a chance
Arshad Warsi criticises Bollywood for avoiding risks and poor scripts. He highlights Saiyaara’s success as proof that taking chances can appeal to audiences.
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